Fantasy novels generally fall into the pattern set for the genre by J.R.R. Tolkien in his Lord of The Rings trilogy. A group of men with swords, axes, clubs and other whacking and hacking implements go off to set a wrong to rights.
Barton author Cheryl Potter sends her heroines out on their perilous mission armed with knitting needles, needles used for their intended purpose, not for stabbing or even poking.
She has conjured up a world where a group of past-their-prime women must find a way to use their style of domestic magic to save the world.
That world is on the verge of dying either by fire or by ice in accordance with a prophecy.
Their world is not necessarily the one in which we live. Its history includes an earlier calamity that resulted in its original inhabitants being buried under a glacier.
Now, a renegade member of the Potluck Twelve, a group of women devoted to the magic of the dye pot, leads the forces of the south in an attempt to melt the glacier, for unknown but disturbing reasons.
Among the members of the long scattered twelve are Sierra Blue, a knitter whose work is not only beautiful, but is also imbued with magical properties that can enhance the wearer’s natural abilities.
She, her daughter, Skye, and her two sons Warren and Garth, are at the center of the first volume of the Potluck Yarn Trilogy. They are required to brave the perils of a journey to the Northlands in answer to the summons of Aubergine, the leader of the knitting witches.
Most of the remaining members of the circle also feel Aubergine’s call and are irresistibly drawn to their former home where their leader hopes the group’s former magic can be revived.
Ms. Potter creates a lively community of women, talented but flawed. Their journey to Bordertown is fraught with peril, but the women meet the dangers with cleverness rather than force.
That is exactly the point of the book, Ms. Potter said in a telephone interview Tuesday. Ms. Potter, who lives in Barton where she runs Cherry Tree Hill Yarn, spoke from Arizona where she was on a book tour.
Most fantasy adventures, she said, “are about men who like to hurt each other and are full of blood and guts. I want to empower girls.”
For this reason, Ms. Potter said she centered the first of her projected trilogy around the magic of women. As a fiber artist herself, Ms. Potter said she feels close to the witches conjured up by her imagination.
Those involved in the spinning community speak of the magic of the dye pot. Yarn, she explained, reacts to dyes in unpredictable ways, but the fibers are forgiving. If a batch turns out unsatisfactorily it can always be returned to the pot for another try.
Ms. Potter makes the connection between knitting yarn and a yarn as a long tale explicit in her book. The witches’ power comes not only from the mystic crystals they use to color the fleeces they will spin.
It also grows from the tales they tell as they do their work. Sierra Blue, one of the most powerful of the sisterhood, is also the one entrusted with the keeping of almost all the group’s stories.
Telling the story of The Broken Circle is a new endeavor for Ms. Potter who has achieved success in her business life and who has previously published six books of knitting patterns as well as several short stories.
She said she is most of the way through the second volume of the trilogy and, judging by the hints and spoilers she let drop during her interview, has a clear idea of where the twists and turns of the yarn will eventually lead.
Ms. Potter was willing to say that the second volume would investigate the lives of Sierra’s sons, who as boys are excluded from the magic circle.
She said the first three chapters and a picture of the second volume, Secrets of the Lost Caves, will soon be released on her website, potluckyarn.com.
The site also contains other materials that Ms. Potter hopes will make her books useful to teachers and home-schoolers. The student workbook, which is available as a free download, includes vocabulary lists, discussion questions and questions devised to prompt analytical reasoning, Ms. Potter said.
She also created a separate book of patterns inspired by the magical garments featured throughout the book. The pattern book is available for sale in a paperback edition or as an e-book, Ms. Potter said.
Ms. Potter said the novel can be appreciated without knitting any of the patterns and said it was intended to enhance some readers’ experience.
She said that she decided to publish the book herself because she wanted to create materials such as the pattern book and the student workbook, which she said commercial publishers would consider a waste of money.
Self-publishing, Ms. Potter added, allowed her to decide to devote resources to making the book attractive. No other publisher, she said, would have been willing to hire the artist Frank Riccio to do the cover painting and the drawings that appear throughout the book.
Ms. Potter also said that large commercial publishers might not be as willing to provide books to small independent bookstores in quantities they can afford.
She said that she is committed to encouraging young people to read and is eager to speak to groups whenever and wherever it is possible to do so.
In the meanwhile, Ms. Potter said she is hunkered down in a cabin putting the finishing touches on Secrets of the Lost Caves and creating new tangles for the yarns of the knitting witches.
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