the Chronicle changes hands

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A solid reminder of how we used to operate — an old manual typewriter — sits in a corner of the Chronicle office.  The hat belonged to Anna Baker, the artist responsible for the Chronicle cows, and on the wall behind it is a copy of the original flyer announcing the start of a new newspaper, the Chronicle.  Photo by Bethany M. Dunbar

A solid reminder of how we used to operate — an old manual typewriter — sits in a corner of the Chronicle office. The hat belonged to Anna Baker, the artist responsible for the Chronicle cows, and on the wall behind it is a copy of the original flyer announcing the start of a new newspaper, the Chronicle. Photo by Bethany M. Dunbar

copyright the Chronicle February 4, 2015

by Chris Braithwaite

To me the Chronicle will always be a novelty — a shot in the dark, a crazy gamble undertaken with almost no money but all the energy a 30-year-old immigrant could summon in himself, his wife, and a handful of friends.

But more than half the people living in Orleans County today had a Chronicle to read when they were old enough to read anything. And when my mind wanders up and down the streets of Barton Village, I can’t find a business that has been around, under continuous ownership, any longer than the Chronicle.

Those are hardly the trappings of a novelty. And at 70, I am a long way from the youngster who set out to see if small-town weekly journalism could be as complex, as challenging, as rewarding as the big-city journalism he’d left behind four years before.

After four decades I can report the result of that experiment. The stories I’ve encountered have been every bit as complex, and just as “good” — in the hard-eyed way that reporters evaluate their raw material — as the stories any reporter covers, anywhere.

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