What Makes Vermont Special, by Greg Carpenter. Published by Shires Press. 134 pages. Paperback. $24.99.
Reviewed by Tena Starr
Greg Carpenter, a teacher in Swanton who summers on Echo Lake in Charleston, says the idea for his recent book, What Makes Vermont Special, came from a student. He worked on it for three years, traveling around Vermont taking the photographs himself, and doing the research.
Bread and Puppet Theater performers practice for a revival of Fire. Photos by David Dudley
copyright the Chronicle August 13, 2014
by David Dudley
GLOVER — Before the Bread and Puppet Theater’s Friday night performance of Fire, Genevieve Yeuillaz rakes the dirt floor theater. Though the audience rarely acknowledges her effort, she carefully makes lines in the dirt before each performance. It’s a way of making the space feel fresh. The raking is, perhaps for Ms. Yeuillaz, a meditation, a kind of prayer. She focuses her attentions on a seemingly small, repetitive task to rest her mind before the intense performance.
Marcie Kaufman is a professionally trained chef who lives in Jay. She graduated from the New England Culinary Institute in Montpelier in 1992, but began her career earlier, in 1987, as an apprentice boulanger and patissier.
To translate broadly, that means she is a very good baker and pastry maker.
Ms. Kaufman has now written a cookbook called Seasonal Appetite, a Chef’s Celebration of Vermont’s Seasons. She says the solitude of her own kitchen has replaced the restaurant’s “animated discourse.”
Vermont Beer; History of a Brewing Revolution; by Kurt Staudter and Adam Krakowski, published by the History Press, Charleston, South Carolina, 2014, paperback, 190 pages, $19.99.
Since 1991, Vermont has had more breweries per capita than any state in the nation. But for 100 years, until the Vermont Pub and Brewery and Catamount Brewing Company went into business in 1989, the state had no legal breweries.
The state’s earlier past was quite spirited, with an estimated 125 to 200 active distilleries in 1810.
Howard Frank Mosher and the Classics, Echoes in the Vermont Writer’s Works, by James Robert Saunders. 208 pages. Softcover. Published by McFarland. $45.
Reviewed by Tena Starr
Four years ago, in June of 2010, Purdue University professor James Robert Saunders went to hear Howard Mosher of Irasburg give a talk on his latest book, Walking to Gatlinburg.
“I had already read that particular work as well as the other ten books that he had written up to that point, books that I would see, off and on, when I visited the independent booksellers that are a mainstay of Vermont’s literary enterprise,” Mr. Saunders writes in his introduction to his own book, Howard Frank Mosher and the Classics, Echoes in the Vermont Writer’s Works. “Wanting to learn more about this author, who always seemed to have a little section at those stores reserved for him, I got on my computer and checked with the online MLA Bibliography, but found precious little that had been written about his works, in terms of interpretation.”
Clare Dolan, the guiding intelligence of the Museum of Everyday Life, stands outside of her young institution alongside a giant toothbrush built by Newark artist Martin McGowan. Photo by Joseph Gresser
copyright the Chronicle June 25, 2014
by Joseph Gresser
GLOVER — The word “everyday” means usual or common. It might seem, then, that the Museum of Everyday Life would be a humdrum collection of boring objects. The selection of themes covered in the museum’s four-year history — matches, safety pins, pencils, and, now, toothbrushes — might do nothing to change that view.
A visit to the museum, though, quickly upends any such preconception. Curator Clare Dolan has filled an old dairy barn with a collection of exhibits that uses dental hygiene alone as a lens through which to view the world.
The cover photo for On Northern Waters is of Lana Hill and David Birdsall on the Winisk River in Ontario in 1985. David Brown took most of the photos in the book, but a few were taken of him by his companions.
copyright the Chronicle June 11, 2014
by Bethany M. Dunbar
For those who love the wilderness, northern Quebec and Labrador are close enough to be enticing. On Northern Waters, by Dave Brown of Craftsbury, will take you there vicariously if the complications of backwoods canoe travel seem daunting. Watch out — it might spark the desire to experience these far northern places into an overwhelming craving. Mr. Brown hopes so.
The large format (11 by 13 inches) hardcover book is a collection of photos of 40 years of such trips, with an essay for each chapter. Mr. Brown created the book himself in the same way he creates wooden bowls, his home, and his furniture. He figured out how it was done, and then he did it, with quality as a goal instead of quantity. Continue reading →
The cover for the Evansville Transit Authority’s new CD of original music is nothing if not homegrown and simple.
copyright the Chronicle May 28, 2014
by Bethany M. Dunbar
The estimated time of arrival for the new ETA compact disc of original music is: now.
The Evansville Transit Authority (ETA) band has been a local phenomenon for a dozen years and got its first paid gig when the boys were in high school. For the most part, they have played other people’s songs, from famous rock and country bands.
Their new self-titled CD is their own original music, and it’s good — good guitar playing, good singing, lyrics, and percussion.
Buildings of Vermont, by Glenn M. Andres and Curtis B. Johnson. Published by University of Virginia Press, Charlottesville and London, 2014. 504 pages. Hardbound. $85.
Reviewed by Joseph Gresser
Buildings of Vermont meets such an obvious need that it’s somewhat astonishing it didn’t already exist. It’s a book that belongs next to Esther M. Swift’s Vermont Place Names: Footprints of History on the shelf of anyone seriously interested in the state.
At first glance the book appears to be a catalog of noteworthy architecture in Vermont. It is that, but in detailing the variety of building styles it sheds new light on the history of the state.
Winter Ready, by Leland Kinsey. Published by Green Writers Press. 85 pages. Paperback. $14.95
Reviewed by Tena Starr
It was yet another cold and snowy March day in this cold and snowy winter of 2014, and Leland Kinsey’s latest book of poetry, Winter Ready, seemed an apt read. But there is little in this volume that chronicles the grueling. Nor is Winter Ready poetry as some may know it.
This lovely collection is as much prose as poetry. It’s a collection of moments, observations, and sometimes a reminiscence of a Northeast Kingdom that’s, sadly in my view, fading into memory.
In fact, the onerous chore of picking stone had completely escaped my own memory until I ran across Mr. Kinsey’s poem called “Stone Picking.”
Does anyone pick stone anymore? We used to on our farm. I recall, as a girl, thinking that rocks must somehow grow and multiply, like potatoes. Picking stone was a task for Sisyphus, who spent eternity rolling a boulder uphill.