the Chronicle changes hands

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A solid reminder of how we used to operate — an old manual typewriter — sits in a corner of the Chronicle office.  The hat belonged to Anna Baker, the artist responsible for the Chronicle cows, and on the wall behind it is a copy of the original flyer announcing the start of a new newspaper, the Chronicle.  Photo by Bethany M. Dunbar

A solid reminder of how we used to operate — an old manual typewriter — sits in a corner of the Chronicle office. The hat belonged to Anna Baker, the artist responsible for the Chronicle cows, and on the wall behind it is a copy of the original flyer announcing the start of a new newspaper, the Chronicle. Photo by Bethany M. Dunbar

copyright the Chronicle February 4, 2015

by Chris Braithwaite

To me the Chronicle will always be a novelty — a shot in the dark, a crazy gamble undertaken with almost no money but all the energy a 30-year-old immigrant could summon in himself, his wife, and a handful of friends.

But more than half the people living in Orleans County today had a Chronicle to read when they were old enough to read anything. And when my mind wanders up and down the streets of Barton Village, I can’t find a business that has been around, under continuous ownership, any longer than the Chronicle.

Those are hardly the trappings of a novelty. And at 70, I am a long way from the youngster who set out to see if small-town weekly journalism could be as complex, as challenging, as rewarding as the big-city journalism he’d left behind four years before.

After four decades I can report the result of that experiment. The stories I’ve encountered have been every bit as complex, and just as “good” — in the hard-eyed way that reporters evaluate their raw material — as the stories any reporter covers, anywhere.

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Employees to buy the Chronicle

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Drawing by Anna P. Baker

Drawing by Anna P. Baker

copyright the Chronicle September 17, 2014

Eleven long-time employees of the Chronicle have agreed in principle to buy the weekly newspaper from its founding publishers, Chris and Ellen Braithwaite.

 

While some details remain to be worked out, the basic elements of the deal have been agreed to, and the purchase should be complete by early 2015.

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Editorial: It’s the Chronicle’s fortieth birthday — thanks everyone!

A solid reminder of how we used to operate — an old manual typewriter — sits in a corner of the Chronicle office.  The hat belonged to Anna Baker, the artist responsible for the Chronicle cows, and on the wall behind it is a copy of the original flyer announcing the start of a new newspaper, the Chronicle.  Photo by Bethany M. Dunbar

A solid reminder of how we used to operate — an old manual typewriter — sits in a corner of the Chronicle office. The hat belonged to Anna Baker, the artist responsible for the Chronicle cows, and on the wall behind it is a copy of the original flyer announcing the start of a new newspaper, the Chronicle. Photo by Bethany M. Dunbar

copyright the Chronicle March 26, 2014

This week, March 28, is the Chronicle’s fortieth birthday.  Chris and Ellen Braithwaite produced that first edition on typewriters in an Albany farmhouse.  It had stories about Orleans Village winning a lawsuit, cuts to the Lake Region Union High School budget, an obituary, a review of a gardening book written by former West Glover resident Carey Scher — in other words, pretty much the same sort of things we’re still writing about all these years later.

That first paper was by no means fancy.  It was a mere eight pages, put out by relative newcomers to the area on antiquated equipment amidst small children, a mongrel dog, and, according to its first reporter, Colin Nickerson, monstrous spiders that the Braithwaites refused to kill on the grounds that they were natural insecticide.

But some people bought that very first Chronicle — and much to our surprise, some of them have continued to buy it every single week for the past 40 years.

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