Putting Mosher in the pantheon

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howard mosher webcopyright the Chronicle July 2, 2014

Howard Frank Mosher and the Classics, Echoes in the Vermont Writer’s Works, by James Robert Saunders. 208 pages. Softcover. Published by McFarland. $45.

Reviewed by Tena Starr

Four years ago, in June of 2010, Purdue University professor James Robert Saunders went to hear Howard Mosher of Irasburg give a talk on his latest book, Walking to Gatlinburg.

“I had already read that particular work as well as the other ten books that he had written up to that point, books that I would see, off and on, when I visited the independent booksellers that are a mainstay of Vermont’s literary enterprise,” Mr. Saunders writes in his introduction to his own book, Howard Frank Mosher and the Classics, Echoes in the Vermont Writer’s Works. “Wanting to learn more about this author, who always seemed to have a little section at those stores reserved for him, I got on my computer and checked with the online MLA Bibliography, but found precious little that had been written about his works, in terms of interpretation.”

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In Glover: What you never knew about the toothbrush

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Clare Dolan, the guiding intelligence of the Museum of Everyday Life, stands outside of her young institution alongside a giant toothbrush built by Newark artist Martin McGowan.  Photo by Joseph Gresser

Clare Dolan, the guiding intelligence of the Museum of Everyday Life, stands outside of her young institution alongside a giant toothbrush built by Newark artist Martin McGowan. Photo by Joseph Gresser

copyright the Chronicle June 25, 2014

by Joseph Gresser

GLOVER — The word “everyday” means usual or common. It might seem, then, that the Museum of Everyday Life would be a humdrum collection of boring objects. The selection of themes covered in the museum’s four-year history — matches, safety pins, pencils, and, now, toothbrushes — might do nothing to change that view.

A visit to the museum, though, quickly upends any such preconception. Curator Clare Dolan has filled an old dairy barn with a collection of exhibits that uses dental hygiene alone as a lens through which to view the world.

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Brown’s life made on the water, in the woods

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The cover photo for On Northern Waters is of Lana Hill and David Birdsall on the Winisk River in Ontario in 1985.  David Brown took most of the photos in the book, but a few were taken of him by his companions.

The cover photo for On Northern Waters is of Lana Hill and David Birdsall on the Winisk River in Ontario in 1985. David Brown took most of the photos in the book, but a few were taken of him by his companions.

copyright the Chronicle June 11, 2014

by Bethany M. Dunbar

For those who love the wilderness, northern Quebec and Labrador are close enough to be enticing. On Northern Waters, by Dave Brown of Craftsbury, will take you there vicariously if the complications of backwoods canoe travel seem daunting. Watch out — it might spark the desire to experience these far northern places into an overwhelming craving. Mr. Brown hopes so.

The large format (11 by 13 inches) hardcover book is a collection of photos of 40 years of such trips, with an essay for each chapter. Mr. Brown created the book himself in the same way he creates wooden bowls, his home, and his furniture. He figured out how it was done, and then he did it, with quality as a goal instead of quantity. Continue reading

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ETA releases self-titled album of originals

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The cover for the Evansville Transit Authority’s new CD of original music is nothing if not homegrown and simple.

The cover for the Evansville Transit Authority’s new CD of original music is nothing if not homegrown and simple.

copyright the Chronicle May 28, 2014

by Bethany M. Dunbar

The estimated time of arrival for the new ETA compact disc of original music is:  now.

The Evansville Transit Authority (ETA) band has been a local phenomenon for a dozen years and got its first paid gig when the boys were in high school. For the most part, they have played other people’s songs, from famous rock and country bands.

Their new self-titled CD is their own original music, and it’s good — good guitar playing, good singing, lyrics, and percussion.

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A history of Vermont through architecture

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architecture book webcopyright the Chronicle April 23, 2014

Buildings of Vermont, by Glenn M. Andres and Curtis B. Johnson. Published by University of Virginia Press, Charlottesville and London, 2014.  504 pages. Hardbound.  $85.

Reviewed by Joseph Gresser

Buildings of Vermont meets such an obvious need that it’s somewhat astonishing it didn’t already exist. It’s a book that belongs next to Esther M. Swift’s Vermont Place Names: Footprints of History on the shelf of anyone seriously interested in the state.

At first glance the book appears to be a catalog of noteworthy architecture in Vermont. It is that, but in detailing the variety of building styles it sheds new light on the history of the state.

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Book review: Bird seeks truth about God

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starling god webcopyright the Chronicle April 16, 2014

The Starling God, by Tanya Sousa.  Paperback.  265 pages.  Published by forestrypress.com.  $12.50

Reviewed by Tena Starr

Tanya Sousa’s The Starling God is part allegory, part adventure story, part coming of age tale, and very much a social commentary.  She tackles the interconnectedness of species, the dangers of both conformity and superiority, and the pitfalls of blind and unquestioning adulation — for starters.

This is also a book written by a person who knows a great deal about birds and who is deeply passionate about her message.

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Poetry book on fall light, picking stone, cutting corn

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kinsey book review webcopyright the Chronicle March 26, 2014

Winter Ready, by Leland Kinsey.  Published by Green Writers Press. 85 pages.  Paperback.  $14.95

Reviewed by Tena Starr

It was yet another cold and snowy March day in this cold and snowy winter of 2014, and Leland Kinsey’s latest book of poetry, Winter Ready, seemed an apt read.  But there is little in this volume that chronicles the grueling.  Nor is Winter Ready poetry as some may know it.

This lovely collection is as much prose as poetry.  It’s a collection of moments, observations, and sometimes a reminiscence of a Northeast Kingdom that’s, sadly in my view, fading into memory.

In fact, the onerous chore of picking stone had completely escaped my own memory until I ran across Mr. Kinsey’s poem called “Stone Picking.”

Does anyone pick stone anymore?  We used to on our farm.  I recall, as a girl, thinking that rocks must somehow grow and multiply, like potatoes.  Picking stone was a task for Sisyphus, who spent eternity rolling a boulder uphill.

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How Barton’s founder became a war hero

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kidnapping the enemy webcopyright the Chronicle March 5, 2014

Kidnapping the Enemy, The Special Operations to Capture Generals Charles Lee & Richard Prescott, by Christian M. McBurney.  325 pages.  Hardcover.  Published by Westholme Publishing, LLC.  $29.95.

Reviewed by Tena Starr

It was 1777 and the American war for independence wasn’t going particularly well.  George Washington’s competence had been called into question, and his second-in-command, General Charles Lee, had just been captured by the British in a daring dragoon raid that found Lee caught off guard.

The difficult General Lee had apparently abandoned caution in favor of comfort and may have left himself vulnerable in order to spend the night with a woman.  But no matter the cause of his capture, some considered him, a former British officer, the hope of the American Revolution.  He had military experience that Washington didn’t, and his record, at least militarily, had been a shining one, although Washington himself considered the man’s temper, and general nastiness, a detriment.

The fledgling nation desperately sought Lee’s release.  It could not be procured, however, unless the Americans had a prisoner of equal stature to exchange.

At the time, William Barton — who would go on to found Barton, Vermont — was a lieutenant colonel, relatively unknown at 29, but energetic.  He was born in Warren, Rhode Island, a seafaring village, where he became a hatter.

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Did slavery in Vermont really end in 1777?

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This clipping is from a 1786 copy of the Vermont Gazette, and appears in the book The Problems of Slavery in Early Vermont, 1777-1810.

This clipping is from a 1786 copy of the Vermont Gazette, and appears in the book The Problem of Slavery in Early Vermont, 1777-1810.

copyright the Chronicle February 26, 2014

The Problem of Slavery in Early Vermont, 1777-1810.  By Harvey Amani Whitfield.  Published by the Vermont Historical Society 2014.  140 pages with notes, documents and index.  $19.95

Reviewed by Paul Lefebvre

The assertion that Vermonters kept slaves into the early years of the nineteenth century not only skews the state’s constitutional ban on slavery but also calls into the question the historical belief we have of ourselves as a people who believe in live and let live.

Surely there can be no place for such a belief where men can live off other men’s labor and sell their children.  But that’s what historian Harvey Whitfield has found and documented in his new book, The Problem of Slavery in Early Vermont, 1777-1810.

For those who don’t have the date on the tip of their tongue, 1777 was the year Vermonters formed a Constitution that abolished slavery.  Well, not quite.  What the framers actually abolished was adult slavery.  The children of the new black freemen could still be for sale.

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Vermont Vaudeville debuts in Barton to sold out crowd

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Brent McCoy (left) and Maya McCoy, the stars of The Secret Circus, don their action suits for a feat of skill and daring.  The couple will demonstrate their marksmanship and comedic talents Saturday evening at Barton’s Memorial Building.  Photo by Joseph Gresser

Brent McCoy (left) and Maya McCoy, the stars of The Secret Circus, don their action suits for a feat of skill and daring. The couple will demonstrate their marksmanship and comedic talents Saturday evening at Barton’s Memorial Building. Photo by Joseph Gresser

copyright the Chronicle January 29, 2014
by Joseph Gresser

BARTON — Vermonters have always had a yen for local entertainment.  Most towns, including Barton, boast theaters that once hosted traveling shows that toured the country.

Barton’s Memorial Building will welcome a revival of that tradition Saturday night, when Vermont Vaudeville comes to town.

The group, made up of a four-person core and guest performers, has embarked on a nine-town tour of Vermont over the next six weeks as part of its campaign to revive locally produced and consumed entertainment.

Justin Lander, Rose Friedman and Brent and Maya McCoy started their troupe five years ago with an inaugural performance at the Orleans Municipal Building.  Since then they have presented several sold-out shows at the Hardwick Town House every year.

In a conversation on an icy January evening at the East Hardwick home of Ms. Friedman and Mr. Lander, the performers reflected on their journey so far and their plans for the future.

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